Iago's motivation in william shakespeare's othello he pretends to be honest he is able to paint a picture of himself as an honest man he is only interested in destroying the good he is a catalyst to bring them down shakespeare's othello - iago's deception as catalyst for truth iago: deception as catalyst for truth the audience will. Othello still clings to his belief in iago’s truth and desdemona’s guilt, mentioning the handkerchief and cassio’s “confession” when othello mentions the handkerchief, emilia erupts, and iago, no longer certain that he can keep his plots hidden, attempts to silence her with his sword. Iago is a fictional character in shakespeare's othello (c 1601–1604) iago is the play's main antagonist, and othello's standard-bearerhe is the husband of emilia, who is in turn the attendant of othello's wife desdemonaiago hates othello and devises a plan to destroy him by making him believe that his wife is having an affair with his lieutenant, michael cassio. Iago’s cunning and ingenuity, although helpful in his course of destruction, in the end do not disguise the fact that he is a malevolent manipulator who, throughout the play, fails to conceive a legitimate motive for his malicious actions.
By the end of the play he does know the scientific truth about the object to which he has reduced othello that is what makes his parting shot, what you know, you know, so terrifying for, by then, othello has become a thing, incapable of knowing anything. Othello: iago's audience iago uses truth as a weapon (dobson, 63) lope identifies the fascination of this virtuosity when he writes: to trick with the truth is a device which has seemed good, the tragedy of iago, the tragedy of the honest, charming soldier, who swallowed the devil's bait of self-indulgence, grew blind to. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life necessity forces his hand, and, in order to destroy othello, he must also destroy roderigo, emilia, desdemona, and ultimately himself.
Othello good honest iago evil bad othello ambivalence of human nature othello—one of shakespeare’s more dreadful tragedies, tragedy of an un-heroic egotistical fool, a tragedy that shows how both good and evil are summed up within a person and how manipulation and ambivalence are stronger than love and logic together. At the tragic ending of othello, iago's dishonesty is revealed, as the truth of his lies to othello were unveiled throughout the play, iago in fact mentions that he is actually a very honest and trustworthy man, but that is truly ironic as the audience knows he is being dishonest when saying he is trustworthy. Iago, the villain of the story is a perfect example of how people see him to be, whenever othello refers to iago there’s always a mentioning of his honesty “iago is most honest” , “good night, honest iago. Everyone seems to think iago is such an honest guy, but this could not be further from the truth he is not the typical villain that you might see in a story or play the role he plays is very unique and complex, which is far from what people would normally expect from a villain.
Act ii scene iii scene iii a hall in the castle enter othello, desdemona, cassio, and attendants othello good michael, look you to the guard to-night. Everything you ever wanted to know about the quotes talking about manipulation in othello, written by experts just for you. Shakespeare's othello - iago's deception as catalyst for truth shakespeare's othello - iago's deception as catalyst for truth 2079 words 9 pages show more iago: deception as catalyst for truth the title honest iago is fitting in the sense that he reveals the true nature of his victims, as well as the propensity for human beings to act. Honest iago the poet coleridge appropriately described the character of iago as being one of motiveless malignity throughout the play iagos motives are secondary to, and seem only to serve as justification for, his actions.
Iago speaks of cassio and desdemona sleeping together and the handkerchief motive: to enrage othello truth: he saw the handkerchief iago introduces desdemona and cassio motive: iago wants to use cassio as the wedge between othello and desdemona truths: cassio finds desdemona attractive. Juan williams told the truth but at npr, only liars need apply andrew klavan october 22, 2010 williams’s remarks were not only an honest expression of reasonable human concern at the real state of the world, they were also part of a debate that must be had if the west is to defend itself from aggressive fanatics a nation of iagos. Shakespeare’s othello – iago’s manipulation skills the particular blend of character traits that enable iago’s manipulation of othello although the play is named othello, being an honest man the most important talent he has in this sense is certainly his acting ability iago is a perfect actor.
Iago self-characterizes himself as being honest, but he then exclaims that he is being punished for telling the truth in this example, iago only wanted to tell the truth, and because of that it helps make othello believe that iago is honest. In the play othello, written by shakespeare, the most interesting and complex character is iago all of the other characters in the play know him as honest iago, but from a reader s standpoint that is clearly not the best nickname for him. The irony of this statement is that he is telling the truth about his dishonesty iago knows that if the rest of the characters knew what lurked in his heart, he would be destroyed othello and his loyal men would tear him apart, like birds. Like the word nothing in king lear, honest has a wide range of meanings in othello at times, it refers to chastity, the question of whether a woman is honest or whether she is promiscuous at other times, the word refers to personal honesty: whether or not a person is telling the truth.
Iago is a machiavellian schemer and manipulator, as he is often referred to as honest iago, displaying his skill at deceiving other characters so that not only do they not suspect him, but they count on him as the person most likely to be truthful. Both men felt the other to be honest, trustworthy, and honorable i am not what i am iago is telling roderigo that although he acts like a friend to othello, he is really othello's worst enemy sworn to revenge. On this view iago’s evil is real, but its reality is not of a kind compatible with his remaining a human being iago is “a devil in the flesha fiend” (6), he is “a black angel” (7), he is “undefined, devisualised, inhuman. The multiple meanings of the word honest contribute to the complexity and plot of the play because the usage reveals iago's true characteristics of being untrustworthy and manipulative, and it shows how fully othello believes in desdemona's purity.